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The Albanian Librarian

Logline:

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An earnest paralegal and an endangered tourist team up as an unlikely couple in a daring test of the law that will either transform their lives or get them respectively disbarred and deported.

Synopsis:

The story originates in the late 1970s, in the dying embers of Albania’s brutally repressive Communist years… years in which one of the Marxist dictatorship’s only popular achievements was the suppression of blood feuds.  But by then, countless thousands of injustices had been inflicted on a population subjugated by the regime. One such victim is Erjon Koçi.

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Now, in present-day Glasgow, his son ARTUR KOÇI, a librarian, has travelled to Scotland to honour his recently-deceased father, and right a wrong 47 years in the making. But during his sojourn, fate has dealt Artur a dangerous hand - he learns that he’s a target in a 'Kanun', one of the archaic blood feuds that again scourges remote parts of the country.  He cannot return safely, and he can’t claim asylum - he’s now a man ‘trapped’ in Glasgow, with nothing but a rapidly-depleting tourist visa to his name.

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AILSA SALCOATS, an earnest, efficient paralegal in her Glasgow law firm’s immigration office, is presently dealing with a domestic life in tatters since her boyfriend left following her miscarriage. Artur presently finds himself as a night-time cleaner in Ailsa's office block.

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When Ailsa & Artur’s lives collide, an unlikely friendship is forged. Moved by his predicament as a jeopardy-ridden tourist who cannot return home, and motivated by her now-rampant biological imperative, Ailsa hatches an ingenious but wrong-side-of-legal plan to help Artur stay in the country and get his indefinite residency. Artur's role in this quid-pro-quo is simple... he merely has to get Ailsa pregnant!

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The illicit collaborators become embroiled in the process of artificial insemination - Artur is stocked up with syringes and sterile cups, while Ailsa is up to her elbows in ovulation and pregnancy testing kits.  Artur becomes a frequent visitor at Ailsa’s flat, the would-be place of conception, but time is not on their side - every negative pregnancy test edges them closer to the expiry date on Artur’s visa.  Threats also appear in the shape of the law firm’s new ethics & compiance officer, a man Ailsa is convinced is ‘on their case’. 

 

Emotions see-saw as Ailsa juggles domestic expediency with professional ethics; while Artur struggles to evade detection as an 'illegal worker'. Despite the cultural divide, the mismatched pair begin to sense there may be more to their alliance than mere procreation... but their budding romance is just one positive pregnancy test away from being over.

See Full Synopsis

Screenplay Evaluations:

''The Albanian Librarian' is a highly original black comedy with a social conscience and a huge heart' - Industrial Scripts

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'In terms of originality, the narrative does have some tonal similarities to films such as “Green Card", but 'The Albanian Librarian' does its own take' -

Slated

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'The script has truly enthralling character arcs and backstories and would make a fascinating indie drama if given the chance to shine' -

The Black List 

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'A strong premise & concept for a romantic dramedy -  it fuses lovable odd-couple sensibilities with a commentary on relevant contemporary themes such as sanctuary and migration' -

Slated

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‘Ailsa & Artur are fantastic foils for each other… such a strong premise for a comedic romance… brings a fresh, modern take on pregnancy, immigration and the realities of parenting’ - Screen Scotland

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'The Albanian Librarian' is a compelling hybrid of urban drama and comedy with strong characters and contemporary relevance' - FilmIQ

See Full Script Coverage Summary

Cast (to date):

Attached* as 'Ailsa' - SOPHIE KENNEDY CLARK

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‘Sorority’, ‘The Danish Girl’, ‘Philomena’,

‘The Cry’

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Unrestricted View Film Festival: Winner, Best Actress, 2021

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BAFTA Scotland Winner: Best Actress, 2014

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Attached* as 'Artur' -

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NIK XHELILAJ

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‘The Albanian,  ‘Seven Lucky Gods’,

‘Direnis Karatay’


PriFest: Winner: Best Actor, 2021

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Attached* as 'McTear' -

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JOHN HANNAH

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* officially attached & confirmed via agent, subject to availability and final terms

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Creative Statement:

The creative & commercial elements, along with independent/external evaluations of ‘The Albanian Librarian’ now point to a new, highly contemporary British feature that will appeal to audiences looking for an intelligent, entertaining film with a universal message that will linger... an idiosyncratic film that hits that sweet spot between comedy & social commentary.

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In its essence, it’s a story about the lengths two incongruous characters... one Albanian, the other, British... will go to if sufficiently desperate and driven; but there are a number of elements that distinguish this film from the mere will-they-won’t-they. It’s a film about collisions and contradictions. Ailsa & Artur come from worlds apart, yet her immigration paralegal and his troubled tourist couldn’t be a more seamless fit. The undercurrents of shared goals and obstacles are obvious - Ailsa’s biological imperative will echo with many women, while Artur’s story taps into one of the most emotive and controversial societal issues of our day. This contemporary backdrop provides a canvas against which the consequent high-stakes drama is played out.

Mood Board:

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Target Audience/s:

⦿  Urban Adults 25-60

⦿  Particularly urban (& rural) women

⦿ a good chunk of the Richard Curtis fan-base who are looking for a Curtisesque film with some social realism & contemporary edge

⦿  Fans of mainstream with arthouse sensibilities

⦿  A lot of Albanians in... UK, Europe, US, The Balkans 

⦿  Rom-com fans

Comparables:

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Writer/Director:

MICHAEL NORMAND

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Executive Producer:

KONSTANTIN KORENCHUK

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Summary:

◉  Contemporary Feature - Theatrical/TV/Streamer

◉ Oct 2025 draft: 92 pgs

◉ Certified British-Qualifying (BFI)

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